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From the Tops of the Trees

From the Tops of the Trees

Father, is all of the world a refugee camp?

Young Kalia has never known life beyond the fences of the Ban Vinai Refugee Camp. The Thai camp holds many thousands of Hmong families who fled in the aftermath of the little-known Secret War in Laos that was waged during America’s Vietnam War. For Kalia and her cousins, life isn’t always easy, but they still find ways to play, racing with chickens and riding a beloved pet dog.

Just four years old, Kalia is still figuring out her place in the world. When she asks what is beyond the fence, at first her father has no answers for her. But on the following day, he leads her to the tallest tree in the camp and, secure in her father’s arms, Kalia sees the spread of a world beyond.

Kao Kalia Yang’s sensitive prose and Rachel Wada’s evocative illustrations bring to life this tender true story of the love between a father and a daughter.

Book Details

Publish Date: October 5, 2021
ISBN: 9781541581302
Language: English

About the Author

Kao Kalia Yang is a Hmong-American writer, teacher and public speaker. Born in the refugee camps of Thailand to a family that escaped the genocide of the Secret War in Laos, she came to America at the age six. Yang holds degrees from Carleton College and Columbia University. Her works of creative nonfiction include The Latehomecomer: A Hmong Family Memoir, The Song Poet, What God is Honored Here?: Writings on Miscarriage and Infant Loss By and For Indigenous Women and Women of Color, and the upcoming title Somewhere in the Unknown World. Yang has also written multiple children’s books such as A Map Into the World, The Shared Room, and The Most Beautiful Thing. Her work has won numerous awards and recognition including multiple Minnesota Book Awards, a Charlotte Zolotow Honor, an ALA Notable Children’s Book Award, Dayton’s Literary Peace Prize, and a PEN USA Award in Nonfiction.

Rachel Wada’s work is defined by heavy texture, bold color and intricate details that capture the nuances of people, places and ideas, real and surreal. Rachel’s identity as Japanese-Cantonese, an immigrant and a woman informs her artistic practice. She loves to put her own spin on traditional techniques, motifs and symbolism inspired by her cultural background. This duality of old and new is also apparent in her use of both traditional and digital mediums, and she draws inspiration from a variety of sources, from Japanese woodblock prints, Chinese pottery and ceramics, food packaging design to traditional folk art. Rachel lives in Vancouver.

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